A gleeful art goes back to black: Les Miserables and the modern musical

2013; Issue: 69 Linguagem: Inglês

ISSN

1449-857X

Autores

Myke Bartlett,

Tópico(s)

Theater, Performance, and Music History

Resumo

The reappropriated pop tunes are out and there isn't a choreographed number in sight. Welcome to the new musical film, writes Myke Bartlett, where the songs are less likely to make you dance than have you wailing in the aisles.

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