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How Global Is Ottoman Art and Architecture?

2015; College Art Association; Volume: 97; Issue: 4 Linguagem: Inglês

10.1080/00043079.2015.1043821

1559-6478

Filiz Yenişehirlioğlu,

Archaeological Research and Protection

Click to increase image sizeClick to decrease image size Notes1. For Halil Bey, see the monographic study of Michèle Haddad, Khalil-Bey, un homme, une collection (Paris: Les Éditions de l'Amateur, 2000) [Google Scholar]. For the astonishing story of L'origine du monde, see the exhaustive investigation of Thierry Savatier, L'origine du monde: Histoire d'un tableau de Gustave Courbet, 2nd ed. (Paris: Bartillat, 2006) [Google Scholar].2. Savatier, L'origine du monde, 90.3. Ibid., 68.4. Filiz Yenişehirlioğlu, "Une source documentaire pour l'histoire de l'art ottoman: La Patrie, Journal Ottoman publié en Français," in L'Empire Ottoman, La République de Turquie et la France, ed. Hâmit Batu and Jean-Louis Bacqué-Grammont, Varia Turcica (Istanbul: Isis, 1986), 359–67 [Google Scholar].5. Filiz Yenişehirlioğlu, "The Republican Ethic and the Family Album: Collecting and Art Historical Research in Turkey, 1923–1950," in Discovering Islamic Art: Scholars, Collectors and Collections, ed. Stephen Vernoit (London: I. B. Tauris, 2000), 182–93 [Google Scholar].6. Doğan Kuban, Ottoman Architecture (Woodbridge, Suffolk: Antique Collectors' Club, 2010) [Google Scholar].7. Wendy M. K. Shaw, Ottoman Painting: Reflections of Western Art from the Ottoman Empire to the Turkish Republic (London: I. B. Tauris, 2011) [Google Scholar].8. Filiz Yenişehirlioğlu, Ottoman Architectural Works outside of Turkey (Ankara: Turkish Ministry of Foreign Affairs, 1989) [Google Scholar]. The primary countries at some point included within the Ottoman Empire are Albania, Greece, Bosnia-Herzogovina, Macedonia, Serbia, Croatia, Hungary, Romania, Bulgaria, Moldavia, Ukraine, Crimea, Russia, Turkey, Cyprus (north and south), Azerbaijan, Iraq, Syria, Palestine, Israel, Lebanon, Jordan, Egypt, Sudan, Saudi Arabia, Yemen, Djibouti, Libya, Tunisia, Algeria, and Somalia.9. Sabine Jagodzinski, Die Türkenkriege im Spiegel der polnisch-litauischen Adelskultur: Kommemoration und Repräsentation bei den Zólkiewski, Sobieski und Radziwill (Ostfildern: Thorbecke, 2013) [Google Scholar]; and Nurhan Atasoy and Lâle Uluç, Impressions of Ottoman Culture in Europe, 1453–1699 (Istanbul: Armaggan, 2012) [Google Scholar].10. Filiz Yenişehirlioğlu, Decontextualising and Recontextualising Ottoman Cultural Heritage in Post-Ottoman Nation States, Heritage, Multi-Culturalism and Tourism (Istanbul: Boğaziçi University Press, 1999), vol. 1, 119–42 [Google Scholar]; and Maria Todorova, Imagining the Balkans (New York: Oxford University Press, 2009) [Google Scholar].11. Celâl Esad Arseven, L'art turc, depuis son origine jusqu'à nos jours (Istanbul: Devlet Basımevi, 1939) [Google Scholar]; and Oktay Aslanapa, Türk Sanatı El Kitabı [Handbook of Turkish art] (Istanbul: Inkılap, 2000) [Google Scholar].12. Ankara Universitesi, Faculty of Theology, and Institute of History of Turkish and Islamic Arts, Ankara, 1959, First International Congress of Turkish Art: Communications Presented to the Congress (Ankara: University of Ankara, Faculty of Theology and Institute of History of Turkish and Islamic Arts, 1961) [Google Scholar].13. Gülru Necipoğlu, "The Concept of Islamic Art: Inherited Discourses and New Approaches," in Islamic Art and the Museum, ed. Benoît Junod et al. (London: Saqi Books, 2012) [Google Scholar].14. Donald King and David Sylvester, eds., The Eastern Carpet in the Western World, from the 15th to the 17th Century (London: Arts Council of Great Britain, 1983) [Google Scholar]; and Lisa Jardine, Worldly Goods: A New History of the Renaissance (London: Macmillan, 1996) [Google Scholar].15. For more information on the portraits of the Ottoman sultan, see Ayse Orbay and Selmin Kangal, eds., The Sultan's Portrait: Picturing the House of Osman, exh. cat. (Istanbul: Işbank Cultural Publications, 2000) [Google Scholar].16. Nurhan Atasoy et al., İpek: Imperial Ottoman Silks and Velvets (Istanbul: TEB Publications, 2001) [Google Scholar]; Filiz Yenişehirlioğlu, "Ceramics: Intercourse between Italy and the Ottoman Empire," in Memory, History and Critique: European Identity at the Millennium, CD-ROM (Cambridge, Mass.: MIT Press, 1998) [Google Scholar]; and idem,"Ottoman Ceramics in European Context," in Essays in Honor of J. M. Rogers, Muqarnas: An Annual on the Visual Cultures of the Islamic World, 21 ed. Gülru Necipoğlu, Doris Behrens-Abouseif, and Anna Contadini, (Leiden: Brill, 2004), 373–82 [Google Scholar].17. Kuban, Ottoman Architecture.18. Suraiya Faroqhi, The Ottoman Empire and the World around It (London: I. B. Tauris, 2005) [Google Scholar].19. Mahdi Guirgos, An Armenian Artist in Ottoman Egypt: Yuhanna Al-Armani and His Coptic Icons (Cairo: American University of Cairo, 2008) [Google Scholar].20. For architectural practice in the nineteenth century, see Filiz Yenişehirlioğlu, "Urban Texture and Architectural Styles after the Tanzimat," in Economy and Society on Both Shores of the Aegean, ed. Lorans Tanatar Baruh and Vangelis Kechriotis (Athens: Alphabank, 2010), 487–527 [Google Scholar].21. Nelly Hanna, Construction Work in Ottoman Cairo (1517–1798) (Cairo: Institut Français d'Archéologie du Caire, 1984) [Google Scholar].22. Filiz Yenişehirlioğlu, "Artistic Encounters in the Ottoman Empire: Zones of Acculturation," in New Trends in Ottoman Studies, Papers Presented at the 20th CIEPO Symposium, Rethymno, ed. Marinos Sariyannis (Rethymno: University of Crete, Department of History and Archaeology; Foundation for Research and Technology-Hellas, Institute for Mediterranean Studies, 2014), 842–44, http://anemi.lib.uoc.gr/metadata/7/8/e/metadata-1412743543-919456-15948.tkl [Google Scholar].23. Marshall R. Singer, Perception and Identity in Intercultural Communication (Yarmouth, Me.: Nicholas Brealey, 1998) [Google Scholar].24. Ibid., 30; Stuart Hall, ed., Representation: Cultural Representations and Signifying Practices (London: Sage Publications, 1997) [Google Scholar]; and Stuart Hall and Paul du Gay, eds., Questions of Cultural Identity (London: Sage Publications, 1996) [Google Scholar].25. Nobua Shimahaia, "Enculturation—a Reconsideration," Current Anthropology 11, no. 2 (1970): 14–154 [Google Scholar].26. Conrad P. Kottak, Anthropology: The Exploration of Human Diversity (New York: McGraw-Hill, 2008) [Google Scholar].27. Fernando Ortiz, Contrapunteo cubano del tabaco y el azúcar: Advertencia de sus contrastes agrarios, económicos, históricos y sociales, su etnografia y su tranculturación, ed. Enrico Mario Santí (Madrid: Música Mundana Maqueda, 2002) [Google Scholar].Additional informationNotes on contributorsFiliz YenişehirlioğluFiliz Yenişehirlioğlu is professor of Ottoman art and architecture at Koç University, Department of Archaeology and History of Art, and the director of Vehbi Koç Ankara Studies Research Center. Her research interests and publications are on Ottoman ceramics, archaeology, cities, and architecture [Koç University, VEKAM, Pınarbaşı Mahallesi, Şehit Hakan Turan Sokak no. 9, Keçio¨ren-06290 Ankara, Turkey, fyenisehirlioglu@ku.edu.tr].