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Art for Art's Sake in the Paleolithic [and Comments and Reply]

1987; University of Chicago Press; Volume: 28; Issue: 1 Linguagem: Inglês

10.1086/203491

1537-5382

John Halverson, Levon Abrahamian, Kathleen M. Adams, Paul G. Bahn, Lydia T. Black, Whitney Davis, Robin Frost, Robert Layton, David Lewis‐Williams, Ana María Llamazares, Patrick Maynard, David Stenhouse,

Pleistocene-Era Hominins and Archaeology

Previous articleNext article No AccessArt for Art's Sake in the Paleolithic [and Comments and Reply]John Halverson, Levon H. Abrahamian, Kathleen M. Adams, Paul G. Bahn, Lydia T. Black, Whitney Davis, Robin Frost, Robert Layton, David Lewis-Williams, Ana Maria Llamazares, Patrick Maynard, and David StenhouseJohn Halverson, Levon H. Abrahamian, Kathleen M. Adams, Paul G. Bahn, Lydia T. Black, Whitney Davis, Robin Frost, Robert Layton, David Lewis-Williams, Ana Maria Llamazares, Patrick Maynard, and David StenhousePDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Current Anthropology Volume 28, Number 1Feb., 1987 Sponsored by the Wenner-Gren Foundation for Anthropological Research Article DOIhttps://doi.org/10.1086/203491 Views: 46Total views on this site Citations: 28Citations are reported from Crossref Copyright 1987 The Wenner-Gren Foundation for Anthropological ResearchPDF download Crossref reports the following articles citing this article:Joakim Goldhahn, Stephen Longoida Labarakwe, Peter Skoglund, Ebbe Westergren 'I Have Done Hundreds of Rock Paintings': On the Ongoing Rock Art Tradition among Samburu, Northern Kenya, Cambridge Archaeological Journal 31, no.22 (Nov 2020): 229–246.https://doi.org/10.1017/S095977432000044XMartin Porr Rock art as art, Time and Mind 12, no.22 (Jun 2019): 153–164.https://doi.org/10.1080/1751696X.2019.1609799Renaud Ego The gesture of sight, Quaternary International 491 (Oct 2018): 2–10.https://doi.org/10.1016/j.quaint.2016.08.001Barry Cottrell Mind in Deep Time: Original Participation and Re-enchantment of the World, EXPLORE 13, no.66 (Nov 2017): 400–406.https://doi.org/10.1016/j.explore.2017.05.002Rhiannon Gittins, Paul Pettitt Is Palaeolithic cave art consistent with costly signalling theory? 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González Morales Understanding Pleistocene Rock Art: An Hermeneutics of Meaning, (Jul 2012): 261–275.https://doi.org/10.1002/9781118253892.ch15Melanie Pruvost, Rebecca Bellone, Norbert Benecke, Edson Sandoval-Castellanos, Michael Cieslak, Tatyana Kuznetsova, Arturo Morales-Muñiz, Terry O'Connor, Monika Reissmann, Michael Hofreiter, Arne Ludwig Genotypes of predomestic horses match phenotypes painted in Paleolithic works of cave art, Proceedings of the National Academy of Sciences 108, no.4646 (Nov 2011): 18626–18630.https://doi.org/10.1073/pnas.1108982108Javier Angulo, Joaquín Eguizabal, Marcos García Sexualidad y erotismo en la Prehistoria, Revista Internacional de Andrología 6, no.22 (Jun 2008): 127–139.https://doi.org/10.1016/S1698-031X(08)75681-4April Nowell From A Paleolithic Art to Pleistocene Visual Cultures (Introduction to two Special Issues on 'Advances in the Study of Pleistocene Imagery and Symbol Use'), Journal of Archaeological Method and Theory 13, no.44 (Nov 2006): 239–249.https://doi.org/10.1007/s10816-006-9020-2David Whitley Aesthetics and Rock Art. 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Pontius Cross-evolutionary spatial representation in stone-age ecology, Behavioral and Brain Sciences 14, no.33 (May 2011): 522–523.https://doi.org/10.1017/S0140525X00071120J. B. Deregowski "Stone-age" data: Wider implications and greater difficulties, Behavioral and Brain Sciences 14, no.33 (May 2011): 523–525.https://doi.org/10.1017/S0140525X00071132Barbara J. King Social information transfer in monkeys, apes, and hominids, American Journal of Physical Anthropology 34, no.S13S13 (Aug 2005): 97–115.https://doi.org/10.1002/ajpa.1330340607S. D. Jones Culture and Childhood, BioScience 40, no.1111 (Dec 1990): 802–803.https://doi.org/10.2307/1311480Jan B. Deregowski On two distinct and quintessential kinds of pictorial representation, (Jan 1990): 29–42.https://doi.org/10.1007/978-3-642-84106-4_4 References, (Jan 1990): 255–276.https://doi.org/10.1016/S0166-4115(08)60682-2Solveig A. Turpin Rock Art and Hunter-gatherer Archaeology: A Case Study from SW Texas and Northern Mexico, Journal of Field Archaeology 17, no.33 (Jul 2013): 263–281.https://doi.org/10.1179/009346990791548259PAMELA RUSSELL WHO AND WHY IN PALAEOLITHIC ART, Oxford Journal of Archaeology 8, no.33 (Nov 1989): 237–249.https://doi.org/10.1111/j.1468-0092.1989.tb00204.xSteven J. Mithen Looking and learning: Upper Palaeolithic Art and information gathering, World Archaeology 19, no.33 (Feb 1988): 297–327.https://doi.org/10.1080/00438243.1988.9980043