Some thoughts on historical narrative in twentieth-century Italian literature
1999; Volume: 14; Linguagem: Inglês
ISSN
2200-8942
Autores Tópico(s)Educational and Social Studies
ResumoMargaret Baker, Lampedusa, Pratolini, Morante, witness literature, memoirs, diary, tract, dialogue, historical novel, romanzo storico, third-person account, testimonianza, Calvino, Debenedetti, deportation, Jews, Mercury, Maraini, Memorie di una ladra, Dolci, Non esiste il silenzio, misfortune, disadvantage, experience, I promessi sposi, Manzoni, time, Charlemagne, mythologizing, reductivness, Carolingian, romanzo cavalleresco, extra-literary perceptions, Ginzburg, Caro Michele, Eco, Il nome della rosa, giallo, romanzo storico, Spinazzola, De Roberto, I Vicere, Pirandello, I vecchi e i giovani, Il gattopardo, Banti, Corti, neorealism, neo-realism, Paragone, romanzo partigiano, temporal distance, spiritual distance, detachment, mythic reality, childhood, adulthood, narration, narrator, first-person, interpretation, re-enactment, Levi, Sciascia, contemporary reality, memory, documentary, chronicle, Auschwitz, distacco, reflection, O'Neill, Il taglio del bosco, Cassola, poetica, Pavese, Pavesian, Dostojevskij, Dostoyevsky, Stendhal, Il sentiero dei nidi di ragno, Spanish oppression, Milan, La storia, Contini, Pasolini, Rome, Roman, borgate, Loy, Cioccolata da Hanselmann, evil, forgiveness, autobiographical, Gadda, Ermanno Paccagnini, Giorgio Barberi Squarotti
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