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Musicology Beyond Borders?

2012; University of California Press; Volume: 65; Issue: 3 Linguagem: Inglês

10.1525/jams.2012.65.3.821

1547-3848

Tamara Levitz Convenor, Eric Drott, Brigid Cohen, Victoria Eli Rodríguez, Ryan Dohoney, Emma Dillon, Matthew D. Morrison,

Diverse Musicological Studies

Research Article| December 01 2012 Musicology Beyond Borders? Tamara Levitz, Convenor, Tamara Levitz, Convenor TAMARA LEVITZ is Professor of Musicology at UCLA. She has published widely on transnational modernism in the 1920s and 1930s, with a focus on music in Germany, Cuba, Senegal, and France. She has recently completed a monograph entitled Modernist Mysteries: Perséphone (Oxford University Press, 2012). She is currently the scholar in residence of the Bard Festival on "Stravinsky and His World," and is editing a volume of the same name to be published by Princeton University Press to coincide with the festival in August 2013. Search for other works by this author on: This Site PubMed Google Scholar Eric Drott, Eric Drott TAMARA LEVITZ is Professor of Musicology at UCLA. She has published widely on transnational modernism in the 1920s and 1930s, with a focus on music in Germany, Cuba, Senegal, and France. She has recently completed a monograph entitled Modernist Mysteries: Perséphone (Oxford University Press, 2012). She is currently the scholar in residence of the Bard Festival on "Stravinsky and His World," and is editing a volume of the same name to be published by Princeton University Press to coincide with the festival in August 2013. Search for other works by this author on: This Site PubMed Google Scholar Brigid Cohen, Brigid Cohen TAMARA LEVITZ is Professor of Musicology at UCLA. She has published widely on transnational modernism in the 1920s and 1930s, with a focus on music in Germany, Cuba, Senegal, and France. She has recently completed a monograph entitled Modernist Mysteries: Perséphone (Oxford University Press, 2012). She is currently the scholar in residence of the Bard Festival on "Stravinsky and His World," and is editing a volume of the same name to be published by Princeton University Press to coincide with the festival in August 2013. Search for other works by this author on: This Site PubMed Google Scholar Victoria Eli Rodríguez, Victoria Eli Rodríguez TAMARA LEVITZ is Professor of Musicology at UCLA. She has published widely on transnational modernism in the 1920s and 1930s, with a focus on music in Germany, Cuba, Senegal, and France. She has recently completed a monograph entitled Modernist Mysteries: Perséphone (Oxford University Press, 2012). She is currently the scholar in residence of the Bard Festival on "Stravinsky and His World," and is editing a volume of the same name to be published by Princeton University Press to coincide with the festival in August 2013. Search for other works by this author on: This Site PubMed Google Scholar Ryan Dohoney, Ryan Dohoney TAMARA LEVITZ is Professor of Musicology at UCLA. She has published widely on transnational modernism in the 1920s and 1930s, with a focus on music in Germany, Cuba, Senegal, and France. She has recently completed a monograph entitled Modernist Mysteries: Perséphone (Oxford University Press, 2012). She is currently the scholar in residence of the Bard Festival on "Stravinsky and His World," and is editing a volume of the same name to be published by Princeton University Press to coincide with the festival in August 2013. Search for other works by this author on: This Site PubMed Google Scholar Emma Dillon, Emma Dillon TAMARA LEVITZ is Professor of Musicology at UCLA. She has published widely on transnational modernism in the 1920s and 1930s, with a focus on music in Germany, Cuba, Senegal, and France. She has recently completed a monograph entitled Modernist Mysteries: Perséphone (Oxford University Press, 2012). She is currently the scholar in residence of the Bard Festival on "Stravinsky and His World," and is editing a volume of the same name to be published by Princeton University Press to coincide with the festival in August 2013. Search for other works by this author on: This Site PubMed Google Scholar Matthew D. Morrison Matthew D. Morrison TAMARA LEVITZ is Professor of Musicology at UCLA. She has published widely on transnational modernism in the 1920s and 1930s, with a focus on music in Germany, Cuba, Senegal, and France. She has recently completed a monograph entitled Modernist Mysteries: Perséphone (Oxford University Press, 2012). She is currently the scholar in residence of the Bard Festival on "Stravinsky and His World," and is editing a volume of the same name to be published by Princeton University Press to coincide with the festival in August 2013. Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (2012) 65 (3): 821–861. https://doi.org/10.1525/jams.2012.65.3.821 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Tamara Levitz, Convenor, Eric Drott, Brigid Cohen, Victoria Eli Rodríguez, Ryan Dohoney, Emma Dillon, Matthew D. Morrison; Musicology Beyond Borders?. Journal of the American Musicological Society 1 December 2012; 65 (3): 821–861. doi: https://doi.org/10.1525/jams.2012.65.3.821 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the American Musicological Society Search This content is only available via PDF. © 2012 by the Regents of the University of California2012 Article PDF first page preview Close Modal You do not currently have access to this content.