The Symbolist roots of modern art
2016; Association of College and Research Libraries; Volume: 53; Issue: 06 Linguagem: Inglês
10.5860/choice.194080
ISSN1943-5975
Tópico(s)Art, Politics, and Modernism
ResumoContents: Introduction, Michelle Facos and Thor J. Mednick. Part I Structure: Idealist 'grand visions', from Nikolaos Gyzis to Konstantinos Parthenis: the unacknowledged Symbolist roots of Greek Modernism, Antonis Danos Otherness, Symbolism, and Modernism in Serbia: Leon Koen, Davor DA3/4alto Metaphysical longing: the Modernist idiom of Karol Hiller's visual work, Irena Kossowska The role of Russian Symbolist painting for modernity: Mikhail Vrubel's reduced forms, Josephine Karg The open-ended artwork and the Symbolist self, Marja Lahelma States of transition: the Femme Fatale in the art of Fernand Khnopff and Leonor Fini, Rachael Grew Un coup de dessin: looking at the blanks in Mallarme and Khnopff, Andrew Marvick 'Cristalliser leur pensee': Emile Galle's Pasteur Vase and the aestheticization of scientific imagery in fin de siecle France, Serena Keshavjee Edouard Vuillard and the ornamental drift: among the carpets in Large Interior with Six Persons, Martin Sundberg Matisse and Mallarmean poetics, Margaret Werth I object: the devolution of form in Vilhelm Hammershoi and Willy Orskov, Thor J. Mednick. Part II Theory: True art and pseudo art in Symbolist discourse, Anna Brzyski Representation in the age of mediumistic reproduction, from Symbolism to the Bauhaus, Allison Morehead and Elizabeth Otto Of puppets and Pierrots, skeletons and masks: James Ensor's Symbolist staging of modernity, Susan M. Canning De Chirico and the fin de siecle: the metaphysical paintings and their relationship to Symbolism, Nicholas Parkinson The relocation of spirituality and Rouault's Modernist transformation of Moreau's proto-Symbolist techniques, Katie Larson From false objectivity to new objectivity: Klinger's legacy of Symbolic realism, Marsha Morton. Index.
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