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GIOVANNI BELLINI, JAN VAN EYCK, AND THE "PARAGONE" OF PAINTING AND SCULPTURE

1999; University of Chicago Press; Volume: 19; Issue: 1 Linguagem: Inglês

10.1086/sou.19.1.23206710

ISSN

2328-207X

Autores

Norman E. Land,

Tópico(s)

Historical and Cultural Studies of Poland

Resumo

Previous articleNext article No AccessGIOVANNI BELLINI, JAN VAN EYCK, AND THE "PARAGONE" OF PAINTING AND SCULPTURENorman LandNorman Land Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Source Volume 19, Number 1Fall 1999 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/sou.19.1.23206710 Views: 31Total views on this site Citations: 2Citations are reported from Crossref © 1999 Ars Brevis Foundation Inc.PDF download Crossref reports the following articles citing this article:Eva Kushner L'Époque de la Renaissance (1400–1600), XXX (Nov 2017).https://doi.org/10.1075/chlel.xxxAntoni Ziemba Sztuka Burgundii i Niderlandów 1380-1500. T. I: Sztuka dworu burgundzkiego oraz miast niderlandzkich, (Jan 2008).https://doi.org/10.31338/uw.9788323515197

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