CONTRAPPOSTO AS FORM AND MEANING IN NANNI DI BANCO'S "SAINT PHILIP"
1992; University of Chicago Press; Volume: 11; Issue: 2 Linguagem: Inglês
10.1086/sou.11.2.23203044
ISSN2328-207X
Autores Tópico(s)Renaissance and Early Modern Studies
ResumoPrevious articleNext article No AccessCONTRAPPOSTO AS FORM AND MEANING IN NANNI DI BANCO'S "SAINT PHILIP"Mary BergsteinMary Bergstein Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Source Volume 11, Number 2Winter 1992 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/sou.11.2.23203044 Views: 2Total views on this site Citations: 1Citations are reported from Crossref © 1992 Ars Brevis Foundation Inc.PDF download Crossref reports the following articles citing this article:Farid Pazhoohi, Oliver Lee Eric Jacobs, Alan Kingstone Contrapposto Pose Influences Perceptions of Attractiveness, Masculinity, and Dynamicity of Male Statues from Antiquity, Evolutionary Psychological Science 8, no.11 (Jan 2022): 46–55.https://doi.org/10.1007/s40806-021-00310-z
Referência(s)