The Audience as Co-Creator of the First Chivalric Romances

1981; Modern Humanities Research Association; Volume: 11; Linguagem: Inglês

10.2307/3506256

ISSN

2222-4289

Autores

Robert W. Hanning,

Tópico(s)

Historical Studies and Socio-cultural Analysis

Resumo

Who comprised the audience for chivalric romance? What expectations did they bring to their encounters with the first self-consciously fictional narratives of the modern European tradition, composed for them by Chretien de Troyes, Gautier d'Arras, and other twelfth-century poets in the elegant cadences of the courtly French vernacular? Few questions more difficult than these confront the student of medieval literature. Despite the labours of generations of historians of literature and society, no consensus has emerged about the composition and response of the public to whom Chretien and his contemporaries directed their sophisticated tales of love and adventure. Our main problem is the lack of sufficient independent evidence outside the texts to allow us to reconstruct their social milieu.

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