Portal de Periódicos da CAPES

Transversality and Imperial Affect: Situating Brian Turner's Phantom Noise

2012; Taylor & Francis; Volume: 18; Issue: 4 Linguagem: Inglês

10.1080/13534645.2012.714552

1460-700X

Dean Anthony Brink,

Rhetoric and Communication Studies

Click to increase image sizeClick to decrease image size Notes 1 Friedrich Wilhelm Nietzsche and Anthony M. Ludovici, The Will to Power: An Attempted Transvaluation of All Values (New York: Macmillan Co, 1924), p.532. 2 Félix Guattari, Chaosmosis: An Ethico-aesthetic Paradigm [1992], trans. Paul Bains and Julian Pefanis (Bloomington: Indiana University Press, 1995), p.9. 3 Richard Keeble, ‘Information Warfare in an Age of Hyper-militarism’, in Reporting War: Journalism in Wartime, ed. Stuart Allan and Barbie Zelizer, (London New York: Routledge, 2004), p.43. 4 Richard Keeble, ‘Information Warfare’, pp.43–44. 5 Richard Keeble, ‘Information Warfare’, pp.45–46. 6 On the affective situation in uses of ‘the war on terror’ as well as ‘shock and awe’, see Ben Anderson, ‘Morale and the Affective Geographies of the “War on Terror”’, Cultural Geographies, 17:2 (2010), pp.219–220, 222. 7 Ben Anderson, ‘Morale and the Affective Geographies of the “War on Terror”’, pp.226–227. 8 Brian Massumi, Parables for the Virtual: Movement, Affect, Sensation (Durham, NC: Duke University Press, 2002), p.42. 9 Brian Massumi, Parables, p.35. 10 Brian Massumi, Parables, p.35. 11 Félix Guattari, Molecular Revolution: Psychiatry and Politics (Harmondsworth and New York: Penguin, 1984), p.18. 12 Brian Turner, Phantom Noise (Farmington, ME: Alice James Books, 2010), p.53. 13 Brian Turner, Phantom Noise, p.1. 14 Brian Turner, ‘Verses in Wartime (Part 1: In-Country)’ (7 October 2007) < http://opinionator.blogs.nytimes.com/2007/10/07/verses-in-wartime-part-1-in-country/> [23/1/2012]. 15 Félix Guattari, Chaosmosis, pp.45–46. 16 Félix Guattari, Chaosmosis, p.50. 17 Félix Guattari, Chaosmosis, p.7. 18 See an overview of related books in Carrie A. Rentschler, ‘Review Essay: Militarized Media at War and Home’, The Communication Review, 9:2 (2006), pp.143–154. 19 See, for instance, John Dower, Cultures of War (New York: W.W. Norton, 2010). 20 See David Harvey, The New Imperialism (Oxford; New York: Oxford University Press, 2005); and his A Brief History of Neoliberalism (Oxford and New York: Oxford University Press, 2005), esp. pp.6–7, 39, 160, 179–180. 21 See a particular blog entry exploring this issue: Brian Turner, ‘To Bedlam and Back’, (20 October 2009) < http://opinionator.blogs.nytimes.com/2009/10/20/to-bedlam-and-back/> [23/1/2012]. 22 Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1987), p.155. 23 Brian Turner, Phantom Noise, pp.15–16. 24 Stephen Shaviro, Post Cinematic Affect (Winchester and Washington: Zero Books, 2010), pp.4–5. 25 Jacques Rancieére, The Politics of Aesthetics: The Distribution of the Sensible (London and New York: Continuum, 2006). 26 Steven Shaviro, Post Cinematic Affect, pp.2–3. 27 Michael Haas, George W. Bush, War Criminal?: The Bush Administration's Liability for 269 War Crimes (Westport, CO: Praeger, 2009). 28 Steven Shaviro, Post Cinematic Affect, p.4. 29 In working on Japanese poetry in colonial Taiwan one learns much about the poetry out of the national context, because suddenly what was taken to be natural and indigenous in Japan becomes a violent imposition on a colony. See Dean Brink, ‘Japanese Imperialism and Poetic Matrices: Conventional Projections of Nature and Labor in Early Colonial Taiwan’, Archiv Orientalni / Oriental Archive: Quarterly Journal of African and Asian Studies 79:3 (2011), pp.331–355. 30 Steven Shaviro, Post Cinematic Affect, p.52. 31 Félix Guattari, Molecular Revolution, p.19. 32 Chaosmosis‘’ 33 Brian Turner, ‘Verses in Wartime (Part 2: From the Home Front)’ (24 October 2007) [23/1/2012]. 34 See James Der Derian, Virtuous War: Mapping the Military-Industrial-Media- Entertainment Network (Boulder, CO: Westview Press, 2001). 35 John Phillips, ‘Agencement/Assemblage’, Theory, Culture & Society, 23:2–3 (2006), 108–109. 36 Brian Turner, Here, Bullet (Farmington, ME: Alice James Books, 2005)