"Furthur": Reflections on Counter-Culture and the Postmodern
1988; University of Minnesota Press; Issue: 11 Linguagem: Inglês
10.2307/1354244
ISSN1460-2458
Autores Tópico(s)Art, Politics, and Modernism
Resumo[ en Kesey and the Merry Pranksters, as they embarked on their celebrated trip in the summer of 1964, were sign-bearers, a vast signifying machinery, the effects of which reached into nearly every corner of the burgeoning world of 1960s counter-culture. But the sign thus borne was necessarily a divided, differential one: at one end, the avantgarde slogan Furthur, toward new paths not only in experience but in the written sign (as well as a falling-off from literacy); at the other, Caution, the recoiling of the Prankster gesture around the very eccentricity of the group. Other dichotomies suggest themselves as well: for example, the backward look at historical precedent, but also the newness of technological revision--Bosch doing 60 down the freeway.
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