Portal de Periódicos da CAPES

Addison's Cato and Lady Mary Wortley Montagu

1950; Cambridge University Press; Volume: 65; Issue: 6 Linguagem: Inglês

10.2307/459724

1938-1530

Robert Halsband,

Literary Theory and Cultural Hermeneutics

Joseph Addison's Cato is the most important English verse drama of the eighteenth century; Allardyce Nicoll calls it “a landmark in the history of tragedy.” In addition, it is of great political interest, for its production in the turbulent year before the death of Queen Anne made it the rallying piece for Whigs and Tories, both of whom enrolled its propaganda on their side. Hence any document which throws new light on its composition is significant for that reason alone. That Lady Mary Wortley Montagu wrote a critique of Cato before it was produced, and that Addison followed several of her suggestions for improving his tragedy add to the importance of such a discovery. As a letter-writer Lady Mary has a secure reputation, but her brilliant, aggressive intellect impelled her to take a far more active and varied part in the literary scene of her time than has previously been realized. In her serving as play-doctor for such an influential drama as Cato we have further evidence of her versatility.