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ISLAMIC CARPETS IN CHRISTIAN PAINTINGS: AN ALTERNATIVE THEORY OF THE ORIGIN OF THE PUBLIC ART MUSEUM

2005; University of Chicago Press; Volume: 25; Issue: 1 Linguagem: Inglês

10.1086/sou.25.1.23208087

2328-207X

David Carrier,

Historical and Religious Studies of Rome

Previous articleNext article No AccessISLAMIC CARPETS IN CHRISTIAN PAINTINGS: AN ALTERNATIVE THEORY OF THE ORIGIN OF THE PUBLIC ART MUSEUMDavid CarrierDavid Carrier Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Source Volume 25, Number 1Fall 2005 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/sou.25.1.23208087 Views: 34Total views on this site Citations: 2Citations are reported from Crossref © 2005 Ars Brevis Foundation Inc.PDF download Crossref reports the following articles citing this article: David Carrier THE MAPPING IMPULSE AND THE ART OF NICOLAS POUSSIN, Source: Notes in the History of Art 28, no.44 (Sep 2015): 47–51.https://doi.org/10.1086/sou.28.4.23208584 David Carrier A RENAISSANCE FANTASY IMAGE OF THE ISLAMIC WORLD: GENTILE AND GIOVANNI BELLINI'S "SAINT MARK PREACHING IN ALEXANDRIA", Source: Notes in the History of Art 28, no.11 (Sep 2015): 16–19.https://doi.org/10.1086/sou.28.1.23207968