‘No Trickery with Montage’: On Reading a Sequence in Godard‘s Pierrot le fou
2004; Manchester University Press; Volume: 5; Issue: 1 Linguagem: Inglês
10.7227/fs.5.2
ISSN2054-2496
Autores Tópico(s)Law in Society and Culture
ResumoThis paper is organised around an analysis of a short sequence from Godard‘s Pierrot le fou (1965). Although the sequence appears to be a series of repetitions, close analysis reveals it to be a single event presented in a carefully fragmented order. This unexpected fact generates questions about how to account for the relation between our initial beliefs about the organisation of the sequence and our knowledge of its actual structure. We come to see, in an intimate way, that reflection on the way we watch and understand film is one of the central themes of Godard‘s filmmaking.
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