Artigo Revisado por pares

Early Collectors of Japanese Prints and the Metropolitan Museum of Art

1982; University of Chicago Press; Volume: 17; Linguagem: Inglês

10.2307/1512790

ISSN

2169-3072

Autores

Julia Meech-Pekarik,

Tópico(s)

Chinese history and philosophy

Resumo

Previous articleNext article No AccessEarly Collectors of Japanese Prints and the Metropolitan Museum of ArtJulia Meech-PekarikJulia Meech-Pekarik Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Metropolitan Museum Journal Volume 171982 Sponsored by the Metropolitan Museum of Art Article DOIhttps://doi.org/10.2307/1512790 Views: 20Total views on this site Citations: 1Citations are reported from Crossref Copyright 1984 The Metropolitan Museum of ArtPDF download Crossref reports the following articles citing this article:Kimi Coaldrake Nishiki-e and Kumi-uta : Innovations in Edo Popular Prints and Music in Suzuki Harunobu's Descending Geese of the Koto Bridges (Kotoji no rakugan), Japanese Studies 32, no.11 (May 2012): 113–127.https://doi.org/10.1080/10371397.2012.669728

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