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Frederick Douglass’s Camera Obscura: Representing the Antislave “Clothed and in Their Own Form”

2015; University of Chicago Press; Volume: 42; Issue: 1 Linguagem: Inglês

10.1086/682995

1539-7858

Henry Louis Gates,

Fashion and Cultural Textiles

Previous articleNext article No AccessArticleFrederick Douglass’s Camera Obscura: Representing the Antislave “Clothed and in Their Own Form”Henry Louis Gates Jr.Henry Louis Gates Jr. Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 42, Number 1Autumn 2015 Article DOIhttps://doi.org/10.1086/682995 Views: 2507Total views on this site Citations: 12Citations are reported from Crossref © 2015 by The University of Chicago. 0093-1896/15/4201-0102$10.00. All rights reserved.PDF download Crossref reports the following articles citing this article:Emilie Boone Reproducing the New Negro: James Van Der Zee’s Photographic Vision in Newsprint, American Art 34, no.22 (Jul 2020): 4–25.https://doi.org/10.1086/710470 Introduction, (Jan 2020): 1–15.https://doi.org/10.1215/9781478005537-001 Looking Forward and Looking Back, (Jan 2020): 16–33.https://doi.org/10.1215/9781478005537-002 Photographic Remains, (Jan 2020): 34–60.https://doi.org/10.1215/9781478005537-003 The Scene of the Crime, (Jan 2020): 61–92.https://doi.org/10.1215/9781478005537-004 Photographic Referrals, (Jan 2020): 93–111.https://doi.org/10.1215/9781478005537-005 Afterimages, (Jan 2020): 112–132.https://doi.org/10.1215/9781478005537-006 Photographic Reenactments, (Jan 2020): 133–151.https://doi.org/10.1215/9781478005537-007 False Returns, (Jan 2020): 152–169.https://doi.org/10.1215/9781478005537-008 Notes, (Jan 2020): 175–211.https://doi.org/10.1215/9781478005537-009 Bibliography, (Jan 2020): 213–227.https://doi.org/10.1215/9781478005537-010 A Glimpse Forward, (Jan 2020): 170–173.https://doi.org/10.1215/9781478005537-170