An Early Fifth-Century Athenian Revolution in Aulos Music
2003; Harvard University Press; Volume: 101; Linguagem: Inglês
10.2307/3658525
ISSN2325-9353
Autores Tópico(s)Historical, Religious, and Philosophical Studies
Resumo1 Thanks to Peter Wilson, Timothy Moore, HSCP's editor, and its excellent readers for comments on this text. Rich in ideas and also bibliography, Peter Wilson's essay aulos in Athens, in The Performance Culture of Athenian Democracy, ed. S. Goldhill and R. Osborne (Cambridge 1999) 58-95, is in many respects complementary to the present discussion. I am grateful to its author for sending me an advance copy. 2 Is this Phrynichus the comic poet? So, e.g., B. F. Grenfell and A. S. Hunt, The Oxyrhynchus Papyri XIII (London 1919) 146, and K. J. Dover, Aristophanes Clouds (Oxford 1968) 215 ad loc. 3 D. Holwerda, De novo Chamaeleontis studiorum testimonio, Mnemosyne iv 5 (1952) 230 n. 2 (the Peripatetic Chamaeleon knew of a different tradition about this poem: see next note) and Prolegomena de comoedia scholia in Acharnenses, Equites, Nubes, Fasc. 3. 1 (Groningen 1977) 185 ad loc.; W. J. W. Koster, Ecce iterum Chamaeleon, Mnemosyne iv 6 (1953) 63; Page PMG no. 735. On the tendency of ancient biographical traditions to confuse fathers and teachers (including our example of Lamprocles' Midon), see L. Lehnus, Scopelino 'padre' di Pindaro, Rend. Ist. Lomb. 111 (1977) 78-82. Nothing else is known about Midon.
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