Artigo Acesso aberto Revisado por pares

Labyrinths of Conjecture: The Gothic Elsewhere in Jane Austen's Emma

2016; Edinburgh University Press; Volume: 18; Issue: 1 Linguagem: Inglês

10.7227/gs.0006

ISSN

2050-456X

Autores

Andrew McInnes,

Tópico(s)

Literature: history, themes, analysis

Resumo

In recent criticism, Jane Austen's Northanger Abbey has been reconsidered as a comic rather than mock-Gothic novel, shifting its mockery onto a variety of other targets: domineering men, unwary readers, the violence underpinning English domesticity. I argue that Austen continues her engagement with the Gothic, beyond Northanger Abbey, using Emma as an exemplary case. Emma not only includes explicit mentions of Gothic novels such as Ann Radcliffe's The Romance of the Forest, but implicitly reformulates the relationships between Female Gothic figures: finding a frail, victimised heroine in Jane Fairfax and a seductive femme fatale in Emma herself.

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