Portal de Periódicos da CAPES

Paolo Veronese: piety and display in an age of religious reform

2002; Association of College and Research Libraries; Volume: 39; Issue: 11 Linguagem: Inglês

10.5860/choice.39-6207

1943-5975

Renaissance and Early Modern Studies

Introduction - Early career in Verona: Venice - the rooms of the Council of Ten in the ducal palace - Daniele Barbaro consolidation - the frescoes at Villa Barbaro Maser consoliation in Venice - San Sebastiano recognition and the revival of Venetian tradition when seeing is believing the master narrator - the mature secular narratives the master narrator - the mature religious paintings late style - the religious paintings piety and display. Part 1 From Verona to Venice: Venice - the heir of Constantinople and new Rome change in Venetian society and art Veronese the Venetian patrons Veronese's other patrons. Part 2 Public display, 1550-65: recognition Veronese and the tradition of the Venetian altarpieces Veronese and the tradition of Venetian ceiling painting San Sebastiano the ceiling of the Jesuit church of Santa Maria dell'Umilta Venetian tradition renewed Veronese and Catholic renewal. Part 3 Public display, 1566-88: the saint as martyr the Council of Trent and the cult of saints the saint as exemplar Veronese and the tradition of the Venetian altarpiece Christ's baptism and crucifixion lavish display in existing churches - San Giacomo, Murano San Nicolo ai Frari - Santa Maria Maggiore the new status. Part 4 Paintings for private display: smaller devotional paintings larger narrative paintings paintings for camere grandi - the Coccina palace Old and New Testament subjects for the Bonaldi - Charles Duke of Savoy, Simone Lando and Charles de Croy. Part 5 Christ's feasts and last supper: feast in the House of Simon, Turin the marriage feast at Cana feast in the house of Simon, San Sebastiano and S. Maria dei Servi feast of St Gregory the Great, Monte Berico feast in the house of Levi, SS. Giovanni e Paolo Last Supper, Santa Sophia.