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“Let's Get Into Character”: Role‐Playing in Quentin Tarantino's Postmodern Sandbox

2015; Wiley; Volume: 48; Issue: 6 Linguagem: Inglês

10.1111/jpcu.12360

1540-5931

Joshua Wucher,

Comics and Graphic Narratives

The Journal of Popular CultureVolume 48, Issue 6 p. 1287-1305 Original Article "Let's Get Into Character": Role-Playing in Quentin Tarantino's Postmodern Sandbox Joshua Wucher, Joshua WucherSearch for more papers by this author Joshua Wucher, Joshua WucherSearch for more papers by this author First published: 16 January 2016 https://doi.org/10.1111/jpcu.12360Citations: 1Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Berger, Arthur Asa. Cultural Criticism a Primer of Key Concepts. Thousand Oaks, CA: Sage, 1995. Print. Booker, M. Keith. Postmodern Hollywood: What's New in Film and Why It Makes Us Feel so Strange. Westport, CT: Praeger, 2007. Print. Collins, Jim. Architecture of Excess: Cultural Life in the Information Age. New York: Routledge, 1995. Print. Django Unchained. Dir. Quentin Tarantino. Columbia Pictures, 2012. DVD. Eco, Umberto. "'Casablanca': Cult Movies and Intertextual Collage." SubStance 14.2 (1985a): 3–12. Print. Eco, Umberto. "Innovation and Repetition: Between Modern and Post-Modern Aesthetics." Daedalus 114.4 (1985b): 161–84. Print. Herzog, Todd. " What shall the history books read?" The debate over Inglorious Basterds and the limits of representation." Quentin Tarantino's Inglorious Basterds: A Manipulation of Metacinema. Ed. Robert V. Dassanowsky. London: Continuum International Publishing Group, 2012. 271–96. Hopkins, Susan. "Generation Pulp." Youth Studies Australia 14.3 (1995): 14. 10 Oct. 2013. Web. 14 July 2014. Huddleston, Tom. Timeout London. 13 Aug. 2009. Web. 14 July 2014. Inglorious Basterds. Dir. Quentin Tarantino. Universal Pictures. 2009. DVD. Jameson, Fredric. " Postmodernism and Consumer Society." Critical Visions in Film Theory: Classic and Contemporary Readings. Eds. Timothy Corrigan, Patricia White, and Meta Mazaj. Boston: Bedford/St. Martin's, 2011. Print. Jameson, Fredric. Postmodernism, Or, The Cultural Logic of Late Capitalism. Durham: Duke UP, 1991. Print. Kligerman, Eric. " Reels of justice: Inglorious Basterds, The Sorrow and the Pity, and Jewish Revenge Fantasies." Quentin Tarantino's Inglorious Basterds: A Manipulation of Metacinema. Ed. Robert V. Dassanowsky. London: Continuum International Publishing Group, 2012. 113–34. Print. Koven, Mikel. " Corbucci Unchained: Tarantinoand the Discursivity of Exploitation Cinema." From the Mind of Mikel. 13 Apr. 2013. Web. 14 July 2014. Leibovitz, Liel. " Inglorious Indeed: Tarantino's 'Inglourious Basterds,' a Jewish Revenge Fantasy, does Violence to Jewish Morality." Tablet: A New Read on Jewish Life. 21 Aug. 2009. Web. 15 July 2014. Richardson, Michael D. " Vengeful Violence: Inglorious Basterds, Allohistory, and the Inversion of Victims and Perpetrators." Quentin Tarantino's Inglorious Basterds: A Manipulation of Metacinema. Ed. Robert V. Dassanowsky. London: Continuum International Publishing Group. 2012. 93–112. Print. Tarantino, Quentin. " Quentin Tarantino Tackles Old Dixie by Way of the Old West (by Way of Italy)." Interview by Gavin Edwards in New York Times Magazine. 27 Sept. 2012. Web. July 14 2014. Willis, Sharon. " Fire in a Crowded Theater: Liquidating History in Inglorious Basterds." Quentin Tarantino's Inglorious Basterds: A Manipulation of Metacinema. Ed. Robert V. Dassanowsky. London: Continuum International Publishing Group. 2012. 163–92. Print. Wilson, Elizabeth. " Fashion and the Postmodern Body." Chic Thrills. Ed. Juliet Ash and Elizabeth Wilson. London: Pandora Press, 1992. 8–9. Web. 15 July 2014. Citing Literature Volume48, Issue6December 2015Pages 1287-1305 ReferencesRelatedInformation