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Romantic Love in Classical Times?

1981; Cambridge University Press; Volume: 10; Issue: 2 Linguagem: Inglês

10.1017/s0048671x00005269

2202-932X

Niall Rudd,

Renaissance Literature and Culture

I start with four quotations: (1) ‘That all European poetry has come out of the Provençal poetry written in the twelfth century by the troubadours of Languedoc is now accepted on every side.’ [The writer is talking of love poetry.] (2) The passion and sorrow of love were an emotional discovery of the French troubadours and their successors.’ (3) ‘French poets in the eleventh century discovered or invented, or were the first to express, that romantic species of passion which English poets were still writing about in the nineteenth.’ (4) ‘The conception of romantic love which has dominated the literature, art, music, and to some extent the morality of modern Europe and America for many centuries is a medieval creation.’ Those words come from a Frenchman, a German, and Englishman and a Scot — namely Denis de Rougemont, E. R. Curtius, C. S. Lewis, and Gilbert Highet — a distinguished quartet, not lacking in knowledge or influence. The view they represent has met with little opposition and is, in fact, so widely held that it may be regarded as orthodox. The layman finds it all the easier to accept in that ‘romantic love’ is readily connected with the first definition of ‘romance’ given by the Oxford English Dictionary , namely The vernacular language of France as opposed to Latin’.