: The Altarpiece in the Renaissance
1992; Truman State University; Volume: 23; Issue: 3 Linguagem: Inglês
10.2307/2542538
ISSN2326-0726
Autores Tópico(s)Historical Art and Architecture Studies
ResumoIndroduction - the altarpiece in the Renaissance: a taxonomic approach MARTIN KEMP 1. Some thoughts on writing a history of Sienese altarpieces H. W. VAN OS 2. The Renaissance altarpiece: a valid category? PAUL HILLS 3. The northern altarpiece as a cultural document CRAIG HARBISON 4. The Netherlandish carved altarpiece c.1500 type and function KIM WOODS 5. Reform within the cult image: the German winged altarpiece before the Reformation BERNHARD DECKER 6. Appropriation and application: the significance of the sources of Michael Pacher's altarpieces MARK EVANS 7. Fra Bartolomeo's Carondelet altarpiece and the theme of the Virgo in nubibus in the High Renaissance ANDRE CHASTEL 8. Divinita di cosa dipinta: pictorial structure and the legibility of the altarpiece DAVID ROSAND 9. From cult images to the cult of images: the case of Raphael's altarpieces SYLVIA FERINO 10. Co-ordinated altarpieces in Renaissance Venice: the progress of an ideal PETER HUMFREY 11. The relationship of El Greco's altarpieces to the mass of the Roman rite DAVID DAVIES 12. The altarpiece in Catholic Europe: post-Tridentine transformations A. D. WRIGHT
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