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A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music Making

2009; University of Illinois Press; Volume: 53; Issue: 2 Linguagem: Inglês

10.2307/25653069

2156-7417

Frederick Moehn,

Musicology and Musical Analysis

Research Article| April 01 2009 A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music Making Frederick Moehn Frederick Moehn Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (2): 277–307. https://doi.org/10.2307/25653069 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Frederick Moehn; A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music Making. Ethnomusicology 1 January 2009; 53 (2): 277–307. doi: https://doi.org/10.2307/25653069 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressEthnomusicology Search Advanced Search The text of this article is only available as a PDF. © 2009 the Society for Ethnomusicology2009 Article PDF first page preview Close Modal You do not currently have access to this content.