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Freedas Crew: Pintando Com um Grupo de Mulheres

2016; Faculdade Santo Agostinho; Volume: 13; Issue: 5 Linguagem: Inglês

10.12819/2016.13.5.3

2317-2983

Thayanne Tavares Freitas, Evandro de Sousa Bonfim,

Cultural, Media, and Literary Studies

This article is part of my master's degree research in progress about a collective of women who graffiti in Belém, called Freedas Crew.The text is based on an ethnographic reporting associated with theoretical reflections on the workshop "Women's experience", administered by visual and graffiti artist Michelle Cunha in 2014, which led to the Crew.Brought together 9 women (of the 15 enrolled), for two months in the Casa-Ateliê Sopro, in the neighborhood of Campina in Belém-PA.It highlights the experimentation as research methodology, because the author of the text took part in the workshop and consequently became member of the Freedas.If the observation-participation of the foundation and experiencing of a female art collective seizes alliances, conflicts, resistances and sociability that exist in the process of graffiti, learn this art together with other beginner's women brings reflections and unique experiences.To this, the dialogue is delineated with Roy Wagner, from his theory of culture as "invention", which puts anthropologist and native relationship.Besides the carnal sociology of Wacquant, which seeks to develop a sociology from the body.