Commodity Substitution: The Charity Music Video as Effective Fundraising Tool
2015; Wiley; Volume: 48; Issue: 6 Linguagem: Inglês
10.1111/jpcu.12356
ISSN1540-5931
Autores Tópico(s)Caribbean history, culture, and politics
ResumoThe Journal of Popular CultureVolume 48, Issue 6 p. 1211-1231 Original Article Commodity Substitution: The Charity Music Video as Effective Fundraising Tool H. Louise Davis, H. Louise DavisSearch for more papers by this author H. Louise Davis, H. Louise DavisSearch for more papers by this author First published: 16 January 2016 https://doi.org/10.1111/jpcu.12356Citations: 2Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Berlant, Lauren, ed. Compassion. New York: Routledge, 2004. Print. Google Scholar Berry, T., and Vanessa Shelton. “Watching Music: Interpretations of Visual Music Performance.” Journal of Communication Inquiry 23 (1999): 132–51. Print. 10.1177/0196859999023002003 Google Scholar Davis, H. Louise. “Feeding the World a Line?: Celebrity Activism and Ethical Consumer Practices From Live Aid to Product Red.” Nordic Journal of English Studies 9 (2010): 89–118. Google Scholar “ Do They Know It's Christmas?” Comp. Bob Geldof and Midge Ure. Phonogram Records, 1985. Google Scholar Dickinson, Kay. “ Music Video and Synaesthetic Possibility.” Medium Cool: Music Videos from Soundies to Cellphones. Ed. Roger Beebe and Jason Middleton. Durham and London: Duke UP, 2007. Print. Google Scholar “ Everybody Hurts.” Web. 1 January 2013. Google Scholar “ Food and Trucks and Rock ‘n’ Roll: The Band Aid Story.” Narr. Jonathan Pryce. Prod. Adrian Hughes. Dir. Ian McMillan. St. Pancras Films, 1985. Live Aid. Warner, 2004. DVD. Google Scholar Goodwin, Andrew. Dancing in the Distraction Factory: Music Television and Popular Culture. Minneapolis: U of Minnesota P, 1992. Print. Google Scholar Kinder, Marsha. “Music Video and the Spectator: Television, Ideology and Dream.” Film Quarterly 38.1 (1984): 2–15. Print. 10.2307/1211862 Web of Science®Google Scholar Reed, T.V. The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle. Minneapolis: U of Minnesota P, 2005. Print. Google Scholar Rijven, Stan. “ Rock for Ethiopia.” World Music, Politics, and Social Change: Papers from the International Association for the Study of Popular Music. Ed. Simon Frith. Manchester: Manchester UP, 1989. Print. Google Scholar Sibilla, Gianni. “ It's the End of Music Videos as We Know Them (But We Feel Fine): Death and Resurrection of Music Videos in the YouTube Age.” Rewind, Play, Fast Forward: The Past, Present and Future of Music Video. Ed. Henry Keazor and Thorsten Wubbenna. New Brunswick and London: Transaction, 2010. Print. Google Scholar Straw, Will. “ Rock for Ethiopia.” World Music, Politics, and Social Change: Papers from the International Association for the Study of Popular Music. Ed. Simon Frith. Manchester: Manchester UP, 1989. Print. Google Scholar USA for Africa. “ We Are the World.” Comp. Michael Jackson and Lionel Ritchie. Prod. Quincy Jones. Columbia Records, 1985. LP. Google Scholar Vernallis, Carol. “ Music Video and YouTube: New Aesthetics and Generic Transformations: Case Study—Beyoncé's and Lady Gaga's Video Phone.” Rewind, Play, Fast Forward: The Past, Present and Future of Music Video. Ed. Henry Keazor and Thorsten Wubbenna. New Brunswick and London: Transaction, 2010. Print. Google Scholar Vernallis, Carol. “ Strange People, Weird Objects: The Nature of Narrativity, Character, and Editing in Music Videos.” Medium Cool: Music Videos from Soundies to Cellphones. Ed. Roger Beebe and Jason Middleton. Durham and London: Duke UP, 2007. Print. Google Scholar “ We Are the World.” Web. 1 January 2013. Google Scholar “ We Are the World Takes 4 Grammy Awards.” The New York Times 26 Feb. 1986 late ed.: C1. Print. Google Scholar “ We Are the World, 25.” Web. 1 Jan. 2013. Google Scholar “ We Are the World, 25.75.” Web. 1 Jan. 2013. Google Scholar Citing Literature Volume48, Issue6December 2015Pages 1211-1231 ReferencesRelatedInformation
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