Music for Sans‐Papiers in the Republic
2006; Routledge; Volume: 20; Issue: 6 Linguagem: Inglês
10.1080/09528820601069706
ISSN1475-5297
Autores Tópico(s)Communism, Protests, Social Movements
ResumoClick to increase image sizeClick to decrease image size Notes 1 Rupa Huq, Beyond Subculture: Pop, Youth and Identity in a Postcolonial World, Routledge, London and New York, 2006, p 75 2 Hélène Pellerin, ‘Crisis? What Crisis? The Politics of Migration Regulation in the Era of Globalization’, in Globalization: Theory and Practice, eds Eleonore Kofman and Gillian Youngs, Continuum, London and New York, 2003, p 181 3 Michael Hardt and Antonio Negri, Empire, Harvard University Press, Cambridge, MA–London, 2000, p 398 4 Etienne Balibar et al, Sans‐papiers: L’archaïsme fatal, La Découverte, Paris, 1999 5 Liza Schuster, ‘The Exclusion of Asylum Seekers in Europe’, Working Paper for the COMPAS Research Centre, University of Oxford (March 2004), p 4, available at: http://www.compas.ox.ac.uk/publications/papers/WP0401.pdf 6 Phil Powrie, ed, French Cinema in the 1990s: Continuity and Difference, Oxford University Press, Oxford, 1999, p 10–16 7 Mireille Rosello, ‘Representing Illegal Immigrants in France: from clandestins to L’Affaire des sans‐papiers de Saint‐Bernard’, Journal of European Studies, March–June 1998, 281–2, pp 137–52 8 Philippe Manche, Manu Chao: Destinación Esperanza, Le Serpent à Plumes, Paris, 2004, pp 127–8 9 Josh Kun, ‘Esperando La Última Ola/Waiting for the Last Wave. Manu Chao and the Music of Globalization’, in Rockin’ Las Américas: The Global Politics of Rock in Latin/o America, eds Deborah Pacini Hernàndez et al, University of Pittsburgh Press, Pittsburgh, PA, 2004, pp 332–46 10 Timothy Murphy and Daniel Smith, ‘What I Hear is Thinking Too: Deleuze and Guattari go Pop’, Echo: A music‐centered journal, 3:1, Spring 2001, p 6, available at: http://www.humnet.ucla.edu/echo/volume3‐issue1/smithmurphy/deleuze_and_guattari.pdf 11 Max Silverman, ‘The Revenge of Civil Society: State, Nation and Society in France’, in Citizenship, Nationality and Migration in Europe, eds David Cesarani and Mary Fulbrook, Routledge, London–New York, 1996, pp 146–58 12 Jennifer Yee, ‘Métissage in France: a Postmodern Fantasy and its Forgotten Precedents’, Modern and Contemporary France, 11:4, November 2003, pp 411–26 13 See Laurent Dubois, ‘La République métissée: Citizenship, Colonialism, and the Borders of French History’, Cultural Studies, 14:1, 2000, pp 15–34 and Silverman, op cit, p 156. 14 Paul Moreira, Rock Métis en France, Souffles, Paris, 1987 15 Philippe Barbot, ‘L’été sera Chao’, Télérama, no 2681, 30 May 2001, pp 72–4 16 David Looseley, The Politics of Fun, Berg, London, 1995; John Marks, ‘The French National Team and National Identity: “Cette France d’un bleu métis”’, in France and the 1998 World Cup, eds Hugh Dauncey and Geoff Hare, Frank Cass, London–Portland, 1999 17 See Gargi Bhattacharyya et al, Race and Power: Global Racism in the Twenty‐first Century, Routledge, London–New York, 2002; Yee, op cit. 18 Roger Chamberland, ‘The Cultural Paradox of Rap Made in Quebec’, in Black, Blanc, Beur. Rap Music and Hip‐Hop Culture in the Francophone World, ed Alain‐Philippe Durand, Scarecrow Press, Lanham, MD, 2002, pp 124–36 19 Dominique Wolton, L’autre mondialisation, Champs Flammarion, Paris, 2003, p 50 20 Paul Gilroy, The Black Atlantic, Modernity and Double Consciousness, Verso, London, 1993 21 David Smith et al, eds, The Migrants’ Voice in Europe, Middlesex University Press, London, 1999 22 Uma Kothari, ‘Global Peddlers and Local Networks’, unpublished communication presented at the Migration and Diaspora Workshop: Narrative, Memory, Visibility, University of Manchester, Faculty of Humanities, 25 May 2005. 23 Bouledogue Rouge, ‘Manu Chao’, Ce Qu’il Faut Détruire (CQFD), no 4, 15 September 2003, available at: http://www.cequilfautdetruire.org/article.php3?id_article=273&var_recherche=Manu+Chao 24 Manche, op cit, p 135 25 Laurence Pinsard, ‘Le Monde selon Manu Chao’, Le Guide du Routard, 3 September 2001, available at: http://www.routard.com/mag_invite/id_inv/23.htm 26 Huq, op cit, p 66 27 Clandestino was a highly successful album, selling over 3 million copies worldwide, including over 1.5 million in France. Sales classification compiled by the SNEP – available at: http://www.disqueenfrance.com/snep/dossiers/export2001_bilan.asp 28 Le doigt qui montre la Lune, ‘Collectif d’initiative citoyenne’, available at: http://ledoigt.free.fr/sanspapier.htm 29 Kun, op cit, p 332 30 Souâd Belhaddad, Manu Chao et la Mano Negra, Librio Musique, Paris, 2003, p 78 31 Hardt and Negri, op cit, p xv 32 Barbara Lebrun, ‘Charity and Political Protest in French Popular Music’, Modern and Contemporary France, 13:4, November 2005, pp 435–47 33 Jean‐Philippe Gonot, Têtes Raides, Seghers, collection Poésie et Chansons, Paris, 2005 34 Incidentally, Chao and Têtes Raides both recorded songs with the participation of the ‘protest’ rock band Noir Desir, and both have also participated in fund‐raising and support concerts with the group Zebda, often likened to the Asian Dub Foundation for its discussion of postcolonial identities (see Huq, op cit, p 77). These connections give weight and significance to a French and international cultural coalition of ‘protest’ artists concerned with the same issues surrounding migration. 35 Silverman, op cit, p 152 36 Dubois, op cit, p 29 37 Dubois, op cit, p 28 38 See GISTI, Groupe d’Information et de Soutien des Travailleurs Immigrés, http://www.gisti.org and COMPAS, The Centre on Migration Policy and Society, http://www.compas.ox.ac.uk.
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