Artigo Acesso aberto Revisado por pares

The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Borôro (1917)

2017; Taylor & Francis; Volume: 30; Issue: 2 Linguagem: Inglês

10.1080/08949468.2017.1276383

ISSN

1545-5920

Autores

Sylvia Caiuby Novaes, Edgar Teodoro da Cunha, Paul Henley,

Tópico(s)

Cultural Identity and Heritage

Resumo

Although rarely mentioned in English-language texts, Rituais de Festas Borôro has long been acknowledged as a masterpiece of early ethnographic film in the French and Brazilian literature. Shot in 1916 by a Brazilian army officer, Luiz Thomaz Reis, and released in 1917 1917 Rituais e Festas Borôro. Rio de Janeiro: Conselho Nacional de Proteção aos Índios; 31 mins., b & w. [Google Scholar], the film is mainly about the funeral ceremony of the Bororo, an indigenous people of Central Brazil. Here we contrast this work with other ethnographic films of the period and suggest that it has a strong claim to be seen as the first ethnographic documentary in the modern sense of the term. We also consider the political circumstances that led to the filming in this particular form, its status as an ethnographic account of the funeral, and its place in the personal filmography of Luiz Thomaz Reis.

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