Distinctive culture: Framing flamenco artistry in Polígono Sur: El arte de Las Tres Mil by Dominique Abel
2017; Routledge; Volume: 18; Issue: 2 Linguagem: Inglês
10.1080/14636204.2017.1308633
ISSN1469-9818
Autores Tópico(s)Diversity and Impact of Dance
ResumoABSTRACTThis article investigates how artistic, cultural and urban distinctiveness is constructed in Dominique Abel’s film Poligono Sur: El arte de Las Tres Mil. The article introduces Abel’s film into a wider debate about the potential of flamenco as a factor of cultural promotion for one of Spain’s most notorious and stigmatized urban areas. Using this wider context as a starting point, the essay deploys Pierre Bourdieu’s writings on distinction and taste to analyze how the poligono and flamenco artistry become multilayered points of reference that foster the creation and negotiation of distinctions from different perspectives throughout Abel’s film. Firstly, I attend to the film’s treatment of a concert that is organized as a promotional activity for Poligono Sur. Secondly, by attending to nonverbal performances and practices, I discuss how the film stages flamenco as a form of everyday artistry with relevant historical resonances. Thirdly, I show how the poligono emerges as a marker of positive distin...
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