Produção Nacional
Revisado por pares
ARTE E REPRESENTAÇÃO DO FEMININO: DA ANTIGUIDADE À PÓS-MODERNIDADE
2016; CENTRO UNIVERSITÁRIO CAMPOS DE ANDRADE; Volume: 11; Issue: 1 Linguagem: Inglês
ISSN
2674-6085
Autores Tópico(s)Art, Politics, and Modernism
ResumoA partir do estudo das semelhancas entre tres obras de arte bem como de suas diferencas – a escultura Afrodite de Cnidos , de Praxiteles de Atenas (seculo 4 a. C.), a pintura Nascimento de Venus , de Sandro Botticelli (1489) e o video Barbed Hula , da artista israelense Sigalit Landau (2010) – o texto analisa as transformacoes na representacao do feminino, concluindo pelo questionamento, na pos-modernidade, dos estereotipos que, na historia da arte ocidental, direcionaram o imaginario social. Palavras-chave: Representacoes do feminino. Transposicoes intermidiaticas. Sigalit Landau. Referencias “Aphrodite_of_Cnidus http://en.wikipedia.org/wiki/ 4th-century BC Greek sculptures | Sculptures by Praxiteles | Cnidian Venuses.“Aphrodite. Encyclopaedia Britannica. Encyclopaedia Britannica Ultimate Reference Suite. Chicago, Encyclopaedia Britannica, 2011. BADINTER, Elisabeth. The conflict: Woman and Mother. Amazon digital services inc, 2012. CLOSUIT, Leonard . L'Aphrodite de Cnide: Etude typologique des principales repliques antiques de l'Aphrodite de Cnide de Praxitele. Paris, Imprimerie Pillet - Martigney, 1978. ELLESTRȌM, Lars. Media, Modalities and Modes. ELLESTRȌM, Lars (ed). Media Borders, Multimodality and Intermediality. London, Palgrave/Macmillan, 2010, p. 11-48. FRANZ, M.L. Science and the unconscious. JUNG, Carl Gustav. Man and his symbols. New York, Dell Publishing Co. Inc., 1964. HAVELOCK, Christine Mitchell. The Aphrodite of Knidos and her successors: a historical review of the female nude in Greek art. University of Michigan Press, 1995. JIMENEZ, Gabriele. Filhos? Nao, obrigada. Secao Comportamento. Veja, 20 maio 2013, p. 114-120. JUNG, Carl Gustav. On the relation of analytical psychology to poetry. ADAMS, Hazard (ed). Critical Theory Since ______. Approaching the Unconscious. In: Man and his Symbols. New York, Dell Publishing Co. Inc, 1964, p. 3- 94. LONG,Jane C. Botticelli's Birth of Venus as wedding painting, Aurora, 9, 2008, p. 1–26. MACK, Charles R. Looking at the Renaissance: Essays Toward a Contextual Appreciation. Ann Arbor, University of Michigan Press, 2005, 85-87. ______. Botticelli's Venus: Antique Allusions and Medicean Propaganda. Explorations in Renaissance Culture, 28, 1 (Winter), 2002, p. 1-31. ROSS, David; HALL, Doug; FIVER, Sally Jo. Illuminating Video: An essential Guide to Video Art. San Francisco, Bay Area Video Coalition, 2005. RUSH, Michael L. Video Art and Video Installation Art. In: New Media in Art. London, Thames & Hudson, 2005. VICKERY, John B. Literature and Myth. In: Interrelations of Literature. Barricelli & Gibaldi (eds). New York, MLA, 1982, p. 67-87. ZIRPOLO, Lilian. Botticelli's Primavera: a lesson for the bride. Woman's Art Journal, 12/2, 1991. ZULLNER, Frank. Sandro Botticelli. Munich: Prestel, 2005. DOI: http://dx.doi.org/10.18305/1679-5520/scripta.uniandrade.v11n1p168-181
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