Portal de Periódicos da CAPES

O corpo cinematográfico como prática discursiva no processo de normalização das relações homoafetivas

2017; UNIVERSIDADE ESTADUAL DO OESTE DO PARANÁ; Volume: 11; Issue: 1 Linguagem: Inglês

1982-5935

Marcieli Cristina Coelho, Ismara Eliane Vidal de Souza Tasso,

Urban and sociocultural dynamics

This theoretical-methodological article starts from an archeogeneological perspective, are subsidized by Discourse Analysis, following its French line, and its outspread in Brazil, and its general objective is to understand the way in which the national cinematographic discourse, more precisely the film Tatuagem (2013), directed by Hilton Lacerda, through a simulacrum of the daily life of relationships, deconstructs the crystallized heteronormative normality in our Brazilian society. In this way, it questions the current ethicalmoral conduct and promotes reflections on fear of change in family relations. Given the conditions of circulating knowledge and powers, cinema functions as a discursive practice that allows understanding the contemporary sociopolitical mechanism, and in whose social practices subjects are governed by games of power. In the meantime, the national cinema, with the long Tatuagem, makes live in its practices and techniques an attempt to normalize these other relationships, establishing conductive threads of a union that goes beyond sex and problematizes issues involving love, eroticism and family.