Driving Change, Sparking Debate: Chi Bulag and the Morin Huur in Inner Mongolia, China
2014; Cambridge University Press; Volume: 46; Linguagem: Inglês
10.5921/yeartradmusi.46.2014.0089
ISSN2304-3857
Autores Tópico(s)Chinese history and philosophy
ResumoOn a typically humid afternoon in Beijing, China, my young Mongol friend brought me to his basement studio where his ensemble, Ih Tsetsn, was preparing to rehearse for an upcoming show. The group of young urban Mongols included six players of the morin huur (horse-head fiddle, matouqin in Mandarin), an upright bassist, and a drum kit player. The group played a collection of upbeat compositions and ended its rehearsal session with the rousing morin huur classic, “Ten Thousand Horses Galloping,” by the Inner Mongol composer-performer, Chi Bulag (b. 1944; see figure 4). Playing from memory, the fiddle players grinned at one another, drew their bows energetically across their nylon-stringed instruments, and rocked their heads vigorously to the beat of the drummer.
Referência(s)