Mashed-up in Between: The Delicate Balance of Artists' Interests Lost amidst the War on Copyright
2010; North Carolina Law Review Association; Volume: 88; Issue: 2 Linguagem: Inglês
ISSN
0029-2524
Autores Tópico(s)Digital Rights Management and Security
ResumoINTRODUCTION 640 I. THE DEVELOPMENT OF AUDIO MASHUPS THROUGH BREAKBEATS AND SAMPLING TECHNOLOGIES 643 A. From Deejays to Samplers: A History of Sampling 643 B. The Emergence of Audio Mashups 646 II. COPYRIGHT LAW AND THE CONFLICT OF RIGHTS IT CREATES 647 A. The Fundamental Purpose of Copyright Law 647 B. Conflicts in Copyright: The Mashup Battleground 650 C. Reserving an Interest for Future Artists to Advance the Arts 652 D. Mashup Remixers as Future Artists 653 III. THE BALANCING MECHANISMS IN THE COPYRIGHT ACT ..... 658 A. Section 106 Exclusive Rights Applicable to Audio Mashups 659 1. The Reproduction Right 659 2. The Adaptation Right 660 3. The Public Distribution and Public Performance Rights 661 B. Limitations on Exclusive Rights Applicable to Audio Mashups 662 1. The De Minimis Use Doctrine 663 2. The Idea/Expression Dichotomy 667 3. Fair Use 669 a. Purpose and Character of the Use 670 i. Transformative Use 670 ii. Commercial Purpose 676 b. Nature of the Copyrighted Work 678 c. Amount and Substantiality of the Portions Used .... 679 d. Effect on the Market and Potential Markets 681 IV. MASHUP REMIXERS’ GUIDE TO LEGALITY 683 A. Uses Under the Authority of the Copyright Holder 684 1. Licensing: You Get What You Pay For 684 2. Permission, Otherwise 686 3. Creative Commons Communities 686
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