CRIME DELICADO: EROTISMO E ARTE
2009; UNIVERSIDADE ESTADUAL DO OESTE DO PARANÁ; Volume: 3; Issue: 3 Linguagem: Inglês
ISSN
1982-5935
Autores Tópico(s)Literature, Culture, and Criticism
ResumoThe purpose of this article is to analyze the movie “Crime Delicado” (by Beto Brant, 2005), aiming to find in the movie the emergence of the eroticism and the way it is built through the arts, in particular, painting. Brant’s movie deals, specifically, with arts and eroticism as a way to raise questions about intimacy and human beings’ doubts. Eroticism has been addressed by the movie industry in different ways. Brant has chosen the duality, focusing both, the construction and the demolition of the erotica. Through transgressions and the breaking of taboos, as the girl without one leg and the critic who has doubts about art, “Crime Delicado” rejects the commonplace, searching instead for new possibilities to show eroticism in the cinema.
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