Simone Martini, the Dominicans and the Early Sienese Polyptych
1982; University of Chicago Press; Volume: 45; Issue: 1 Linguagem: Inglês
10.2307/750967
ISSN2044-0014
Autores Tópico(s)Renaissance and Early Modern Studies
ResumoPrevious articleNext article No AccessSimone Martini, the Dominicans and the Early Sienese PolyptychJoanna CannonJoanna CannonPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Journal of the Warburg and Courtauld Institutes Volume 45, Number 11982 Published for the Warburg Institute and the Courtauld Institute Views: 12Total views on this site Citations: 3Citations are reported from Crossref Article DOIhttps://doi.org/10.2307/750967 Views: 12Total views on this site Citations: 3Citations are reported from Crossref Copyright © 1982 by The Warburg Institute. All rights reserved.PDF download Crossref reports the following articles citing this article:Cynthia Stollhans A Newly Discovered Image of Saint Catherine of Alexandria in the Cathedral of Amalfi, Source: Notes in the History of Art 38, no.33 (Apr 2019): 125–132.https://doi.org/10.1086/703426 Cynthia Stollhans SAINT CATHERINE OF ALEXANDRIA AND HER BOOK IN ITALIAN ART, Source: Notes in the History of Art 26, no.33 (Sep 2015): 23–29.https://doi.org/10.1086/sou.26.3.23208080 Sharon Dale CONTEXTUAL ART HISTORY: THE ILLUSION OF PRECISION, Source: Notes in the History of Art 8, no.33 (Sep 2015): 32–36.https://doi.org/10.1086/sou.8.3.23202686
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