Kinetic Iconography: Wes Anderson, Sergei Parajanov, and the Illusion of Motion
2018; University of Texas Press; Volume: 60; Issue: 2 Linguagem: Inglês
10.7560/tsll60208
ISSN1534-7303
Autores Tópico(s)Law in Society and Culture
ResumoWes Anderson and Georgian filmmaker Sergei Parajanov have a shared fascination with the intersection of literature and film and with the materiality of the printed page in relation to the film frame. In exploring this concern in The Royal Tenenbaums and Parajanov’s The Color of Pomengranates, this essay uncovers a common tension in their work between still and moving pictures, or stasis and kinesis, that is vital to distinguishing film as a medium.
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