Rape and the (Animal) Other: Making Monsters in J. M. Coetzee’s Disgrace
2017; University of Chicago Press; Volume: 43; Issue: 2 Linguagem: Inglês
10.1086/693553
ISSN1545-6943
Autores Tópico(s)Shakespeare, Adaptation, and Literary Criticism
ResumoThis article proposes a new theoretical category, the “monstrative,” which is used both as a way to explain the performative acts that produce a monster and as a point of departure for feminist ontologies seeking a more positive model of identity formation. As such, I contrast monstrative acts, the theory of which is based on Judith Butler’s understanding of performativity, with a positive reading of Deleuzean becoming, which in turn is based on Rosi Braidotti’s feminist conceptualization of becoming-monster. In order to demonstrate both monstrativity and becoming-monster at work, I use J. M. Coetzee’s 1999 Booker Prize–winning novel Disgrace as an illustration of the monstrative acts of narrative discourse and rape, and the atoning effects of becoming-monster. I conclude that there are two types of monster: one that is produced through violent and injurious acts and another that is a hybrid being, made possible through sympathizing with the abject other.
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