How Silhouettes Became “Black”: The Visual Rhetoric of the Harlem Renaissance
2017; Lippincott Williams & Wilkins; Linguagem: Inglês
10.37862/aaeportal.00191.006
ISSN1524-4539
Autores Tópico(s)Race, History, and American Society
ResumoHow Silhouettes Became "Black": The Visual Rhetoric of the Harlem RenaissanceFrank MehringCirculationSilhouettes confront us in our daily encounters with new digital media, advertisements, computer games, and films. They appear in the outline of company logos on smartphones and iPads, and on movie posters and advertisements in global urban environments. They remind us of the iconic Bat-Signal in the DC Comics series and the silhouetted credit sequences by Maurice...AuthorFrank MehringPublisherTerra Foundation for American ArtCopyright© 2017, Terra Foundation for American ArtRelated print edition pages: pp.180-216 https://doi.org/10.37862/aaeportal.00191.006 Stable URL: https://aaeportal.com/?id=-19916Copy Chapter subject tags:Harlem RenaissanceSilhouettesDouglas, AaronReiss, Winold, 1886-1953Walker, Kara Elizabeth
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