Max Reinhardt High Priest of Theatricality

1977; The MIT Press; Volume: 21; Issue: 2 Linguagem: Inglês

10.2307/1145120

ISSN

2326-2060

Autores

Martín Esslin,

Tópico(s)

Musicology and Musical Analysis

Resumo

Among all the great personalities who, early in this century, created and established the modern concept of the director in the theatre (Antoine, Lugné-Poe, Gordon Craig, Stanislavsky), Max Reinhardt (1873-1943) is often dismissed as an eclectic who took his ideas from others and dabbled in all forms of theatre for the sake of personal commercial success. While there is a grain of truth in this view, it nevertheless completely misrepresents one of the greatest personalities in the theatre of this or any other age.

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