Max Reinhardt High Priest of Theatricality
1977; The MIT Press; Volume: 21; Issue: 2 Linguagem: Inglês
10.2307/1145120
ISSN2326-2060
Autores Tópico(s)Musicology and Musical Analysis
ResumoAmong all the great personalities who, early in this century, created and established the modern concept of the director in the theatre (Antoine, Lugné-Poe, Gordon Craig, Stanislavsky), Max Reinhardt (1873-1943) is often dismissed as an eclectic who took his ideas from others and dabbled in all forms of theatre for the sake of personal commercial success. While there is a grain of truth in this view, it nevertheless completely misrepresents one of the greatest personalities in the theatre of this or any other age.
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