Political Ideas in Sienese Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico
1958; University of Chicago Press; Volume: 21; Issue: 3-4 Linguagem: Italiano
10.2307/750823
ISSN2044-0014
Autores Tópico(s)Reformation and Early Modern Christianity
ResumoPrevious articleNext article No AccessPolitical Ideas in Sienese Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo PubblicoNicolai RubinsteinNicolai RubinsteinPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Journal of the Warburg and Courtauld Institutes Volume 21, Number 3-4July–December 1958 Published for the Warburg Institute and the Courtauld Institute Views: 34Total views on this site Citations: 4Citations are reported from Crossref Article DOIhttps://doi.org/10.2307/750823 Views: 34Total views on this site Citations: 4Citations are reported from Crossref Copyright © 1958 by The Warburg Institute. All rights reserved.PDF download Crossref reports the following articles citing this article: Katherine L. Jansen "Pro bono pacis": Crime, Conflict, and Dispute Resolution. The Evidence of Notarial Peace Contracts in Late Medieval Florence, Speculum 88, no.22 (Sep 2015): 427–456.https://doi.org/10.1017/S0038713413001127 Julie E. Cumming Music for the Doge in Early Renaissance Venice, Speculum 67, no.22 (Oct 2015): 324–364.https://doi.org/10.2307/2864375 Gordon Whatley Heathens and Saints: St. Erkenwald in Its Legendary Context, Speculum 61, no.22 (Oct 2015): 330–363.https://doi.org/10.2307/2854043 Marvin B. Becker Dante and His Literary Contemporaries as Political Men, Speculum 41, no.44 (Oct 2015): 665–680.https://doi.org/10.2307/2852317
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