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The Embodied Object: Recensions of the Dead on Roman Sarcophagi

2018; Oxford University Press; Volume: 41; Issue: 3 Linguagem: Inglês

10.1111/1467-8365.12387

1467-8365

Jaś Elsner,

Historical and Religious Studies of Rome

The Roman sarcophagus uses the visual forms of consolatory celebration to frame the actual body of the deceased.Its rhetorics of eulogy are not merely performative but are directly existential, since its form and function are entirely dependent on the act of containing a corpse.In sarcophagi, the frequency of portraiture as a major element of decoration adds a further frisson to the question of embodiment.This paper touches on all forms of portraiture on Roman sarcophagi but focuses on three-dimensional reclining statues carved on lidsboth fine finished portrait heads and so-called 'unfinished' or 'blank' and sometimes 'pseudo-animate' facesin relation to their play with the thematic of embodiment, presence and absence.