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Hunting for Easter Eggs in the Dardennes’ Rosetta

2018; Duke University Press; Volume: 33; Issue: 1 Linguagem: Inglês

10.1215/02705346-4336850

1529-1510

Niels Niessen,

Violence, Religion, and Philosophy

Rosetta (dir. Jean-Pierre and Luc Dardenne, France/Belgium, 1999) teases the viewer into a spiritual mind game. At first viewing, the film appears to be about a young woman’s quest for a job. On very close analysis, though, Rosetta turns out to be encrypted with the holy spirit, creeping underneath the window of the trailer in which Rosetta lives with her alcoholic mother. The question is how much the critical posthumanist viewer feels at ease with that evangelical subtext. This essay argues that however self-reflexive Rosetta may show itself in its flirtation with Christian tropes, the film ultimately affirms the patriarchal binaries its secular Passion story otherwise challenges.