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Voz over e colagens musicais em documentários ensaísticos de Chris Marker e Agnès Varda da época da Nouvelle Vague

2018; Universidade da Beira Interior, Portugal (UBI) & Universidade Estadual de Campinas, Brasil (UNICAMP); Issue: 24 Linguagem: Inglês

10.20287/doc.d24.dt04

ISSN

1646-477X

Autores

Luíza Beatriz Alvim,

Tópico(s)

Literature, Musicology, and Cultural Analysis

Resumo

I analyze documentaries by Chris Marker and Agnès Varda from the Nouvelle Vague period in which there is a predominance of voice over and preexisting music, especially Letter from Siberia (Marker, 1958), and Elsa la Rose (Varda, 1965). In these films I investigate the relationship between those elements and relations with the images. In these films, the voice over is a sign of modernity and the preexisting music is part of a musical collage. Both sound elements relate often ironically to the images.

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