Amplifier Album Review
2018; Wiley; Volume: 30; Issue: 1-2 Linguagem: Inglês
10.1525/jpms.2018.000014
ISSN1533-1598
Autores Tópico(s)Musicology and Musical Analysis
ResumoReview Article| March 01 2018 Amplifier Album Review: Marvin Gaye, Here, My Dear (Tamla, 1978) Shana L. Redmond Shana L. Redmond UCLA Search for other works by this author on: This Site PubMed Google Scholar Email: shana.redmond@schoolofmusic.ucla.edu Journal of Popular Music Studies (2018) 30 (1-2): 11–14. https://doi.org/10.1525/jpms.2018.000014 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Shana L. Redmond; Amplifier Album Review: Marvin Gaye, Here, My Dear (Tamla, 1978). Journal of Popular Music Studies 1 March 2018; 30 (1-2): 11–14. doi: https://doi.org/10.1525/jpms.2018.000014 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search One generation before Atlanta singer Usher put his 2004 Confessions on wax, Marvin Gaye revealed his, documenting the ends of his failed marriage to his first wife, Anna Gordy Gaye, the sister of Motown founder Berry Gordy. Released in 1978 on Tamla, Here, My Dear announced Gaye’s intentions to move on from a fraught public marriage into the life that he had carried on behind the Motown lights. His narratives of flight on the album are irrevocably tethered to that label, that history, and the family that helped him become a household name. As both an expression of penance and a tribute to his distressed ex, Here, My Dear is the sound of his transition, his crossing over, from the camera intimacy of the Gordy empire to the realities of his second family. All of this is audible in the conversations he has with his listeners and himself in the... You do not currently have access to this content.
Referência(s)