Artigo Acesso aberto Revisado por pares

Trailing Postmodernism: David Mitchell’s Cloud Atlas , Zadie Smith’s NW , and the Metamodern

2018; Routledge; Volume: 99; Issue: 7 Linguagem: Inglês

10.1080/0013838x.2018.1510611

ISSN

1744-4217

Autores

Nick Bentley,

Tópico(s)

Narrative Theory and Analysis

Resumo

This article examines David Mitchell's Cloud Atlas (2004) and Zadie Smith's NW (2012) against recent theories of the post-postmodern. It argues that although both texts can be seen to be gesturing towards a reconstructive relationship with the absolute cynicism and scepticism of postmodernism neither represents a sustainable discontinuity with that late-twentieth-century mode. In this context, the essay challenges readings of Mitchell and Smith as representative of a metamodernism as that term is understood by critics such as Timotheus Vermeulen, Robin van den Akker, David James and Urmila Seshagiri. By referring to models suggested by Jean-Francois Lyotard, it suggests that the metamodern, as exemplified in the cases of Mitchell and Smith, represents a subsection of the postmodern rather than a clear break with it.

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