Contra las fuerzas de lo real: Notas sobre el cine de François Truffaut
2011; Asociación Cultural Cancro; Issue: 9 Linguagem: Espanhol
ISSN
1988-3927
Autores Tópico(s)Visual Culture and Art Theory
ResumoespanolNuestra investigacion propone una exploracion del texto filmico como una superficie simbolica que intenta hacerse cargo del sentimiento de perdida del sujeto contemporaneo frente a la dimension de lo real. Para ello, comenzamos repasando algunas de las teorias filmicas mas relevantes que han intentado incluir la existencia del Otro desde la defensa del realismo para, posteriormente, aplicar una metodologia de analisis textual a dos breves fragmentos de Los cuatrocientos golpes (Les quatre cents coups, 1959). Con esto, pretendemos reivindicar y defender la figura de Francois Truffaut como uno de los directores mas relevantes en la representacion del Otro, injustamente ninguneado en las ultimas decadas por su posicion ideologica y estetica. EnglishOur researching suggest an exploration of the filmic text as a symbolic surface who tries to face the feeling of lost of the contemporary subject, forced to confront the “real” —in a lacanian sense—. In order to achieve our goal, we start remembering some of the most relevant filmic theories who had tried to think the Otherness using the realism codes. After that, we apply a Textual Analyse methodology to two brief fragments of The four hundred blows (Les quatre centes coups, 1959). By doing that, we try to restore and rehabilitate the Works of Francois Truffaut as one of the most relevant directors in the representation of the Otherness, unfairly attacked during the last decades for his uncomfortables ideological and aesthetical choices.
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