Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe
2018; De Gruyter Open; Volume: 2; Issue: 1 Linguagem: Inglês
10.1515/culture-2018-0030
ISSN2451-3474
Autores Tópico(s)Gothic Literature and Media Analysis
ResumoAbstract This article discusses the visual, textual, and musical aesthetics of selected concept albums (Vinyl/CD) by Afrofuturist musicians Erykah Badu and Janelle Monae. It explores how the artists design alternate projections of world/subject relations through the development of artistic personas with speculative background narratives and the fictional emplacement of their music within alternate cultural imaginaries. It seeks to establish that both Erykah Badu and Janelle Monae use the concept album as a platform to constitute their Afrofuturist artistic personas as fluid black female agents who are continuously in the process of becoming, evolving, and changing. They reinscribe instances of othering and exclusion by associating these with science fiction tropes of extraterrestrial, alien lives to express topical sociocultural criticism and promote social change in the context of contemporary U.S. American politics and black diasporic experience.
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