O espírito travesso na mímica corporal dramática de Etienne Decroux
2018; UNIVERSIDADE DO OESTE DE SANTA CATARINA; Volume: 2; Issue: 11 Linguagem: Inglês
10.5965/1414573102112008079
ISSN2358-6958
Autores Tópico(s)Urban and sociocultural dynamics
ResumoThe purpose of this article is to approach the technical and aesthetical principles of dramatic corporeal mime in relation to the comic procedures in its artistic creation.Through a historical analysis, the text highlights the main characteristics of Etienne Decroux's corporeal mime and classical pantomime to show the distinct ways in which both styles deal with comedy.Based on Bergson's principles of mechanical rigidity and inadaptability, the article discusses the presence of comic procedures in the technique and repertoire of corporeal mime.
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