Bronzino’s Portrait of Antonio Lapi: A Hypothetical Identification with Considerations of Chronology and Costume in Bronzino’s Male Portraits
2018; University of Chicago Press; Volume: 21; Issue: 2 Linguagem: Inglês
10.1086/699814
ISSN2037-6731
Autores Tópico(s)Visual Culture and Art Theory
ResumoPrevious articleNext article No AccessBronzino’s Portrait of Antonio Lapi: A Hypothetical Identification with Considerations of Chronology and Costume in Bronzino’s Male PortraitsSanne WellenSanne WellenVilla I Tatti, Harvard University Center for Italian Renaissance Studies Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by I Tatti Studies in the Italian Renaissance Volume 21, Number 2Fall 2018 Published for Villa I Tatti: The Harvard University Center for Italian Renaissance Studies Article DOIhttps://doi.org/10.1086/699814 Views: 203Total views on this site Citations: 1Citations are reported from Crossref © 2018 by Villa I Tatti: The Harvard University Center for Italian Renaissance Studies. All rights reserved.PDF download Crossref reports the following articles citing this article:Sanne Wellen “Ricco di tanto ardire”: A Contextual Study of Agnolo Bronzino’s Portrait of Lodovico Capponi, I Tatti Studies in the Italian Renaissance 25, no.22 (Nov 2022): 339–367.https://doi.org/10.1086/721692
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