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How to Make Hyperobject Sound Art: Occupying the Electromagnetic Field with the Firesign Theatre

2018; Michigan State University Press; Volume: 18; Issue: 2 Linguagem: Inglês

10.14321/crnewcentrevi.18.2.0039

1539-6630

Jeremy Braddock, Timothy Morton,

Geographies of human-animal interactions

Research Article| July 01 2018 How to Make Hyperobject Sound Art: Occupying the Electromagnetic Field with the Firesign Theatre Jeremy Braddock; Jeremy Braddock Cornell University, Ithaca, New York, and Rice University, Houston, Texas Jeremy Braddock is Associate Professor of English at Cornell University. He is the author of Collecting as Modernist Practice (Johns Hopkins University Press, 2012), which won the 2013 Modernist Studies Association book prize. Recent essays include “The Scandal of a Black Ulysses,” on the reception of Timothy Morton is Rita Shea Guffey Chair in English at Rice University. He has collaborated with Björk, Jeff Bridges, Jennifer Walshe, Olafur Eliasson, Haim Steinbach, and Pharrell Williams. He is the author of Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), eight other books and 200 essays on philosophy, ecology, literature, music, art, architecture, design and food; he co-wrote and appears in Living in the Future’s Past, a film about global warming with Jeff Bridges. In 2014 Morton gave the Wellek Lectures in Theory. Blog: http://www.ecologywithoutnature.blogspot.com. Twitter:@the_eco_thought Search for other works by this author on: This Site Google Timothy Morton Timothy Morton Cornell University, Ithaca, New York, and Rice University, Houston, Texas Search for other works by this author on: This Site Google CR: The New Centennial Review (2018) 18 (2): 39–68. https://doi.org/10.14321/crnewcentrevi.18.2.0039 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jeremy Braddock, Timothy Morton; How to Make Hyperobject Sound Art: Occupying the Electromagnetic Field with the Firesign Theatre. CR: The New Centennial Review 1 July 2018; 18 (2): 39–68. doi: https://doi.org/10.14321/crnewcentrevi.18.2.0039 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressCR: The New Centennial Review Search Advanced Search The text of this article is only available as a PDF. © Michigan State University Board of Trustees Article PDF first page preview Close Modal You do not currently have access to this content.