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Beckett in the States: Notes on the Reception (1950s-1960s)

2006; UNIVERSIDADE DE SÃO PAULO; Volume: 8; Linguagem: Inglês

10.37389/abei.v8i0.3715

2595-8127

Maria Sílvia Betti,

Theatre and Performance Studies

This article is divided in two parts: the first one briefly introduces and discusses reviews of the premiere of Beckett’s Waiting for Godot in the United States in 1956, focusing on articles by Walter Kerr, Brooks Atkinson and Kenneth Rexroth for The New Republic, The New York Times and The Nation, respectively. The second one mentions the 1960 New York double bill of Beckett’s Krapp’s Last Tape and Edward Albee’s The Zoo Story at the Provincetown Playhouse and the 1962 off off Broadway Cherry Lane Theater series of performances organized by Barr and Wilder as two crucially important events for the inception of Beckett’s work as a point of reference for a whole generation of young dramatists in the U.S.